jessica andrey bogush

WORKS

Installation view at Drei Schwestern, Shahin Zarinbal, Berlin

For Jessica (Several hours later my first erection (of what?) between my sunken thighs, sets me back into dreadful normality, which the nurse immediately confirms, speaking to me: “Sir” “Mister Guyotat Sir”.), 2023. Installation view at, Drei Schwestern, Shahin Zarinbal, Berlin

For Ryan, 2023. Installation view at Shahin Zarinbal, Berlin

Key horse drawing (on kinship), 2023. Installation view at Shahin Zarinbal, Berlin

Food for horse (straw), 2023. Installation view at Shahin Zarinbal, Berlin

Butterfly horse (To the friend who did not save my life), 2023. Installation view at Shahin Zarinbal, Berlin

Für Sina, 2023. Installation view at Shahin Zarinbal, Berlin

Key horse drawing (birdface), 2023. Installation view at Shahin Zarinbal, Berlin

For Sanna, 2023. Installation view at Shahin Zarinbal, Berlin

Installation view at Tagesschau, Mountains, Berlin, February 2022

Rosa Butterfly (from keta femmunism to somatic interspecies communism), 2022

Blue butterfly (for Derek), 2022

Key face, 2021

Von der schenkenden Tugend, Cologne, Germany, December 2021

Wrong hole (using ketamine femmunism to foster derealisation), 2021. In collaboration with Sinaida Michalskaja. UV print on light-weight foam board, painted screws, 130 x 55 x 1.9 cm

detail: Wrong hole (using ketamine femmunism to foster derealisation)

The animal has memory, but no memories, 2021. Three sublimation prints on recycled polyester, pins

We will have only a future tense, Kunsthalle Turku, 2021

Поцелуй (A kiss). Installation view at Chinchilla, MAA-tila, Helsinki, Finland, 2021. Curated by Max Hannus

Butterfly Gina (To make love with drones), Ars Libera Gallery, Kuopio, Finland, 2020

Proposal for nail butterfly (We Spin Around the Night Consumed by the Fire), 2020

Installation view at Andrey Bogush: Butterfly Gina (To make love with drones), Ars Libera Gallery, Kuopio, Finland, 2020

Proposal for yellow butterfly (But where was Eve?), 2020

detail: Proposal for yellow butterfly (But where was Eve?), 2020

Proposal for butterfly cut out and spread legs (As a gay man it doesn’t make any sense that you are not supposed to join in when you enter a jack-off party), 2019

Proposal for butterfly cut out, head and computer game (The situation is like that of a bumble-bee which, by being there, became part of the genetic chain of the orchid), 2020

Proposal for found image and summer field (Take a walk at night. Walk so silently that the bottoms of your feet become ears), 2020

Hermaphrodite (Us living and dead)

Installation view at Andrey Bogush: Butterfly Gina (To make love with drones), Ars Libera Gallery, Kuopio, Finland, 2020

Proposal for butterfly and golf game (The words enclosed in brackets are likely to catch the private’s eye: “a (very handsome) young male student thought he could provoke me and also, I believe, seduce me a bit  by asking why I did not commit suicide"), 2020

Installation view at Andrey Bogush: Butterfly Gina (To make love with drones), Ars Libera Gallery, Kuopio, Finland, 2020

Installation view at Andrey Bogush and Sinaida Michalskaja: Zwei Schwestern, Zarinbal Khoshbakht Gallery, Cologne, Germany, 2020

Guardian (The art market wants porn, but it doesn’t want it when it comes from feminism)

Proposal for hoover, cat cut out and distorted face (The living web of care is not one where every giving involves taking, nor every taking will involve giving)

detail: Proposal for hoover, cat cut out and distorted face (The living web of care is not one where every giving involves taking, nor every taking will involve giving)

For Jessie, 2019. Installation view at Wormhole, Knulp, Sydney, Australia. Invited by Jessie Bullivant

Installation view at Skɪz(ə)m, Plato, Ostrava, Czech Republic, 2020. Curated by Daniela and Linda Dostálková

We will have only a future tense, 2018

Pollinating machines, 2019. Installation view at Fall Open Studios, HIAP, Helsinki, Finland

Sorcery with lizards and other transitional drawings. Installation view at Summer Open Studios, HIAP, Helsinki, Finland, 2019

ADHD Penetration, 2018. Installation view at Summer Open Studios, HIAP, Helsinki, Finland, 2019

ADHD Penetration, 2018. In collaboration with Zander Porter, Ewa Dziarnowska, Maciej Sado

I don't need you I need a boat, 2019. Installation view at Spring Open Studios, HIAP, Helsinki, Finland

Proposal for image placement (stretched, curtain), 2017. Installation view at ARS17, Museum of Contemporary Art Kiasma, Helsinki, 2018

Installation view at Andrey Bogush and Kristina Sedlerova-Villanen - which package would be good enough for you to love me?, TITANIK gallery, Turku, 2018

A season in hell (4), 2018. Digital print on transparent PVC. Installation view at Andrey Bogush and Kristina Sedlerova-Villanen - which package would be good enough for you to love me?, TITANIK gallery, Turku, 2018

A season in hell (2), 2018. Digital print on transparent PVC. Installation view at Andrey Bogush and Kristina Sedlerova-Villanen - which package would be good enough for you to love me?, TITANIK gallery, Turku, 2018

Installation view at A strong desire, PS120, Berlin, Germany, 2018

Subjugation poles, 2018

Installation view at Andrey Bogush and Bogdan Ablozhnyy: Decades, Osnova gallery, Moscow, Russia, 2018

Proposal for posture, 2016. UV print on aluminium. Installation view at Andrey Bogush and Bogdan Ablozhnyy: Decades, Osnova gallery, Moscow, Russia, 2018

20141122_0979, 2018. UV print on aluminium. Installation view at Andrey Bogush and Bogdan Ablozhnyy: Decades, Osnova gallery, Moscow, Russia, 2018

Blue carpet (folded), 2017.
Grey carpet (folded), 2017. Digital weaving on wool, stainless steel bar. Installation view at Andrey Bogush and Bogdan Ablozhnyy: Decades, Osnova gallery, Moscow, Russia, 2018

Proposal for cloud (Другу, который не спас мне жизнь), 2017. UV print on aluminium. Decades (three faces, two hands), 2017. Charcoal wall drawing. Installation view at Andrey Bogush and Bogdan Ablozhnyy: Decades, Osnova gallery, Moscow, Russia, 2018

detail: Proposal for cloud (Другу, который не спас мне жизнь), 2017

detail: Decades (three faces, two hands), 2017

Installation view at Perfect storm, NRW Forum Düsseldorf, Germany, 2017

Proposal for distorted image and blue (garden), 2015. Installation view at Perfect storm, NRW Forum Düsseldorf, Germany, 2017

Proposal for duplicated head, purple and grey default cube (ver 1 & 2), stretched, 2016. UV-print on vinyl carpets, 100 x 250cm. Installation view at Basic Photography, SIC Gallery, Helsinki, Finland, 2017

Installation view at Basic Photography, SIC Gallery, Helsinki, Finland, 2017

Installation view at Rashid Uri and Andrey Bogush: I’LL BE BACK IN A MOMENT, Bid Project, Milan, Italy, 2016. Curated by Marialuisa Pastò

Proposal for placement (Ablozhnyy-Bogush-Bruel-Czyżyk-Knopová-Ruuska-Sedlerova), 2017. Installation view at Rethinking Digitalization, Exhibition Laboratory, Helsinki, 2017

Installation view at Andrey Bogush: When everything is over so we can discuss, The Finnish Museum Of Photography, Helsinki, 2016

Installation view at Andrey Bogush: Proposals, Osnova Gallery, Moscow, Russia, 2015

Proposal for legs, adidas socks and violet 2015. Installation view at Peripheral vision, Mejan Gallery, Stockholm, Sweden, 2016

Installation view at Foam Talent, L'atelier Néerlandais, Paris, France, 2014

Proposal for kunsthalle wall and two images on vinyl (curtain)